Ragan Benson, a student at Manchester Metropolitan University, introduces a partnership with the University of Bethlehem around ‘creativity in waiting’, with contributions from Dr Aspa Paltoglou, Amie Disley, and Dr Fadel Alsawayfa.
22 June 2026
Some weeks ago, as part of our placement with the University of Bethlehem and Dr Fadel Alsawayfa, Dr Aspa Paltoglou (Manchester Metropolitan University) shared with us
an article from The Psychologist website by Dr Ayse Burcin Baskurt, on how 'waiting' offers a 'space for creativity to quietly take root and grow'. In our placements meetings we discussed how we could apply 'creativity in waiting' to real-world situations. We were also interested in creativity as an effective way to mitigate trauma (van Westrhenen & Fritz, 2014), helping people narrate traumatic events in a new way (Rubinstein et al., 2025), and to develop skills such as resilience and empathy (Tie et al., 2024). Our focus was an exploration of waiting, trauma, and creativity within the context of Palestine.
We decided to use poetry as our creative medium. The flow of thoughts poetry encourages is a crucial element in developing a sense of 'internal control', as it allows the poet to pause and reflect. Towards the end of the placement, we had a workshop for Education students located in Palestine, to co-reflect on waiting through poetry.
I was thoroughly impressed with the student's commitment to every task we gave them. Whilst we anticipated around 2-5 minutes for each task, the students were still sending us poems they had written 15 minutes after we set that task. It was apparent that they all put a lot of effort into all they wrote, as some truly beautiful poems were produced. Some students followed the prompts we gave exactly, whilst some took a more liberal approach, using it as the starting point and nothing more. Regardless of what they ended up doing, we were thrilled that the students were so willing to partake in our project.
The first task was a development of the game 'I spy', which involved selecting something in your environment you can see and stating how it is making you feel. Some examples included:'In my small eyes, I see birds that make me feel free.'
'The sound of rustling leaves and the fresh scent of pine create a peaceful escape from the noise of the world'
'I spy with my little eye a quiet moment around me, and that makes me feel calm and hopeful.'
We found these responses fascinating, as themes of freedom and hope were already emerging, showing the resilience of these students. We hoped that poetry would further provide an outlet to develop this skill.
The next task we delivered was to take a sentence starter and develop it to fit your experience. The sentence starter we used was 'While I wait, I...'. We chose this as it not only encourages them to creatively consider what they currently do, however it also gives us an idea of how much they use creativity already. Some of the students developed a sentence based of this, whilst others crafted whole poems from this starter. Some examples of these include:'While I waited, I reminisced about the sweet things that happened to me that day.'
'While I wait, I think and dream,
Ideas flow just like a stream.
A little thought, a simple start,
Creativity in my heart.'
The themes from the previous task were still apparent, but some students were diving into the imagery in their surroundings, whilst others focused more on their experiences through reminiscing.
The last task was getting the students to complete the traditional poem 'Roses are red, violets are blue...', with alternative options such as 'Olives are green, the sea is blue'.
Going into the presentation, I had hoped to inspire these students to carry on writing poetry when they are waiting. By the end, their work had inspired me as well. Despite everything, their poems featured strong themes of hope and freedom. It was a reminder for me that connecting with others through poetry, can be very empowering.
'Waiting isn't just about time…'
A reflection from Amie Disley
Waiting can be connected to everyday experiences, but also to long, stressful, and political scenarios in conflict zones like in Palestine. Waiting can involve hope, uncertainty, boredom, or control depending on the context; and people in different cultures experience time differently (Janeja & Bandak, 2018). Periods of waiting can be very boring, but boredom itself has been found to then be a good foundation for creativity through the act of daydreaming (Mann & Cadman, 2014).
The experience of the workshop also helped me to reflect on my own assumptions about waiting, as a British Psychology student. I am used to seeing waiting as something negative and avoidable – literally a waste of time (Hall, 1983). Now I saw that for Palestinian students, waiting is often unavoidable and part of daily life. I saw the importance of adapting psychological approaches to different cultural contexts, and of creativity as a way to cope with uncertainty.
Research by Geert Hofstede (2001) highlights differences between individualistic and collectivist cultures, suggesting that Western societies often emphasise personal control, whereas other cultures may place greater value on patience and adapting to circumstances. However, even this framework can be overly simplistic – we must be careful about forcing complex cultural experiences into fixed categories.
In the context of Palestine, waiting is shaped by power and inequality, where certain groups are required to wait due to limited control over their circumstances (Hage, 2009). I haven't experienced this form of living, and that raises questions about the session we performed. While the creative tasks appeared to be engaging and positive, we must consider whether waiting was unintentionally framed as something that can simply be managed or improved through creativity. At the same time, research has suggested that creativity can provide a sense of meaning and agency (Csikszentmihalyi, 1996), which may explain why the activities were effective and engaging.
Overall, the sessions were a reminder for me that waiting isn't just about time; it is shaped by culture, power, and life experience (Janeja & Bandak, 2018). And our creative responses to those issues are surely of psychological interest.
Fostering healing partnerships
Aspa: I met Dr Fadel Alsawayfa sometime ago through our common interest in poetry, education and creativity, and our collaboration flourished from there. When Dr Fadel Alsawayfa and I agreed to host this placement of First year MMU Psychology students, we didn't quite know what shape the project would take. We had already discussed Dr Ayse Burcin Baskurt's article, so we knew it would be around this topic. We had also discussed
Diyala Midhat's article, especially the idea that 'it is important to dream', which was something that came up in the poetry.
Over a few weeks, we discussed and worked with Amie and Ragan, first on the workshop that they ran with the Education students at the University of Bethlehem, and then about the reflections and brief literature reviews. It was such a pleasure to work with the students from both universities, and to read the beautiful poems that all students created in the session. We were so moved by them! Dr Fadel tirelessly translated our every word to the Education students during the session.
Amie saved most of the poems in a document, and I did my best to create collective poems – there's an example below. I can see so much care, compassion, creativity, thoughtfulness in the words. They give me hope for the future and strengthen my belief that education can help us foster healing partnerships across universities, countries, continents.
For me, this first placement and session is just a beginning, and a foundation for many more projects and placements with Palestinian colleagues and students. As
Sandiso Bazana noted recently, 'Students should not encounter Palestine only as news. They should encounter it as a serious site of psychological knowledge'. I think poetry, creativity and work placements have so much potential to bring people together in healing partnerships and promote mutual understanding. The world needs more of that.
A collective poem from our sessions:
While I wait
While I wait, I write a line
Turning small thoughts into rhyme
Waiting time can help me see,
New ideas inside of me.
While I wait, I think and dream,
Ideas flow just like a stream.
A little thought, a simple start,
Creativity in my heart.
While I wait, I see the sun,
Shining brightly, having fun.
I close my eyes and spin around,
Feeling happy all around.
While I wait
I dream of walking free
of happily skipping
in my land.
While I wait
I think of loved ones
under siege.
While I wait
I doodle olive trees
with my pen.
Sometimes
The olive trees I drew
Walk out of my sketchpad
And skip happily
To my loved ones
And hug them fondly.
While I wait, I watch the world move around me,
Birds fly without a clear path,
And the trees greet the wind with their quiet beauty.
I sit, my hands on the table,
My heart noticing every passing moment,
Waiting for something I do not fully know,
Perhaps good news, or a meeting that warms me inside.
The street ahead seems long with no end,
But the silence of the road teaches me something important:
Waiting is not emptiness,
It is a moment to discover myself,
And to feel all the small details of life.
While I wait, I listen to the pulse of life,
To the laughter of children, the sounds around me, the touch of sunlight on my face,
And I realize that waiting makes me value the moment,
While I wait l like to forget that I am waiting.
Sometimes I dream of walking in the countryside.
Sometimes I think of my family and friends
I haven't contacted for a long time.
Sometimes I'm trying to solve problems I have been working on
Sometimes I doodle trees and leaves with my pen!
Dreaming, thinking, dooling, makes waiting less of a pain!
While I waited on the street
I reminisced about the sweet things
that happened to me earlier that day.
I remembered seeing people
That care for me,
and the sound of birds
that accompanied our feast.
'We need psychologists who see us Palestinians not only as victims, but also as people who are creative despite hardship and injustice'
Dr Fadel Alsawayfa
The workshop was a great opportunity to exchange experiences and learn about each other. When Aspa first introduced the idea to me, I was impressed and we agreed to have another online meeting to discuss the idea thoroughly. The same week I explained the idea to my Storytelling course students and they were really interested and enthusiastic.
Despite the language barrier and the online nature of the session, Bethlehem Education students shared their experiences and interacted as much as they could. I was translating from English to Arabic and vice versa, but I was telling my story too. The poems that my students created and shared were not only about them – they were also about me. I was not surprised by my students' creativity, though. They interactively and passionately re-narrated their stories of occupied space, restrictions on movement and traumatic events.
For me, poetry is in itself waiting. It is an existential relationship where waiting is always about human situations and positions. As a Palestinian, waiting for me is not just a comma or a pause in a poem; it is an act of resistance and identity. When I wait, I take refuge to poetry, and when I write poems, I become a refugee. A poet who hangs hope on words and a refugee who never gives up hope.
When I write poems I re-live,
I imagine and go beyond what I see,
and what I cannot see.
I write about others,
as if I write about myself,
and I write about myself,
as I write about others.
When I write I fight with words,
and with myself.
I get mad,
I sometimes sit,
and other times stand.
I smile,
breathe in, breathe out,
And go on.
As a Palestinian academic, psychology plays an integral part in my work, research, writing and teaching. It enables me to understand the world as well as myself. I understand that emotions and feelings often cannot be translated, but they can be interpreted and provide resonance. I noticed how poetry enabled my students to express their feelings about traumatic events using figurative language and metaphor. In addition, poetry improved the social emotional and aesthetic skills of the trainee teachers; they showed empathy and the ability to understand human emotions and experiences.
We need psychologists who see us Palestinians not only as victims, but also as people who are creative despite hardship and injustice. We need psychologists who see us as humans with feelings and emotions, not case studies.
References
Csikszentmihalyi, M. (1996). Creativity: Flow and the psychology of discovery and invention. HarperCollins.
Hage, G. (2009). Waiting. Emotion, Space and Society, 2(2), 87–97.
Hofstede, G. (2001). Culture's consequences: Comparing values, behaviors, institutions and organizations across nations (2nd ed.). Sage.
Janeja, M. K., & Bandak, A. (2018). The temporalities of waiting: An introduction. In M. K. Janeja & A. Bandak (Eds.), Ethnographies of waiting: Doubt, hope and uncertainty (pp. 1–22). Bloomsbury Academic.
Mann, S., & Cadman, R. (2014). Does Being Bored Make Us More Creative? Creativity Research Journal, 26(2), 165–173.
Rubinstein, D., Lahad, M., Aharonson-Daniel, L., Proyer, R. T., Mizrahi, D., & Harpaz-Rotem, I. (2025).
Understanding PTSD and Dissociation in Wartime: Direct and Indirect Trauma Exposure. Journal of Trauma & Dissociation, 1–19.
Tie, B., Yang, W., Huo, T., Gao, Y., Yang, X., Tian, D., Pelowski, M., & Qiu, J. (2024).
Empathy to Creativity: The Associations Between Empathy and Everyday Creativity. Journal of Personality.
van Westrhenen, N., & Fritz, E. (2014).
Creative Arts Therapy as treatment for child trauma: An overview. The Arts in Psychotherapy, 41(5), 527–534.
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